the operational art of war iii tutorials

The main ideas that found a special reflection in the art of the Lavra monastery are the 'idea of the Crucified', the theme “The Virgin”, 'Lavra as the Destiny of the Virgin', the theme of monasticism is dogmatically connected both with the concept of the Crucified Christ, and with the Mother of God motives. It should be noted that in addition to baroque trunk line (style) in Kiev and Lavra iconography polystylism is a parallel artistic tendency. Kyiv artistic tradition in the iconography formed with the focus on the samples of European baroque and Mannerism, Lavra’s based on Greek, Athonite, Cypriot. Its system of samples in each school in the middle of the XVII century created prerequisites for the formation of various artistic traditions of Kiev and Lavra. 'Workshop' is a term mainly used in the context of studying the monuments of fine arts of the Lavra it means masters, work-related over some objects or orders. As a result of the research, it is established that the term 'school' defines the association of monuments on a territorial bases (place of creation) Kiev, Kiev Pechersk Lavra this is a local phenomenon that is caused by territorial limits. Scientific novelty is to clarify the role and meaning of the terms 'school', 'workshop', 'artistic tradition', 'style', 'manner', 'idea', 'theme', 'story', 'traditions' of the examples.

The methodology of the research is to apply principles of historicism and systematic comparative analysis. The purpose of the article is to clarify such basic concepts as 'school', 'workshop', artistic tradition', 'style', 'manner', 'idea', 'theme', 'story', 'traditions' in the context of the iconography of Kiev and Kiev Pechersk Lavra.

The operational art of war iii tutorials